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eview:minec_aft:sto_y_mode_-_episode_2:assembly_equi_ed

Each path differs in gameplay as Magnus’s path is a lot more action-oriented with the introduction of Boom Town and 'griefers.' Of course, we all know 'griefers' from the original game as annoying players who would blow stuff up. Because of this, QTEs (Quick Time Events) are utilized that were so popular in the previous episode to dodge TNT. Ellegaard’s path isn’t as action oriented and focuses more on puzzles and the character focus from the very first episode. There is a lot more dialogue in this path and a lot of it makes up the funnier aspects of this episode. This episode capitalizes on the voice actors that Telltale has gotten together like Corey Feldman (Magnus), who played Mouth in The Goonies, and Grey Griffin (Ellegaard), famous for playing Daphne Blake in the Scooby-Doo cartoon movies that bring the characters to life.

(Image: https://www.istockphoto.com/photos/class=)There's probably a good reason people build dungeons. At first it seems like a great plan to construct a subterranean labyrinth, because maybe the kingdom needs a place to store its surplus supplies or random undesirable people. Why build a giant construct from wood and rock when there's so much unused space underfoot, other than mining being crazy-hard to get right. The point is, eventually all that space attracts things. Big, mean, hungry things that no society can function around. Zombies and skeletons are only the start of the problem, and it doesn't take long for an evil overlord to come along and put this undead labor to use devastating the countryside. Dungeons are an archaeological trap, useful right up to the point they're the base for the downfall of the realm, and the ones in Minecraft Dungeons are a perfect illustration of how it all goes horribly wrong.

Gamers have since been captivated by the expansive landscapes, rewarding pokéMon building game mechanics, and thrilling survival gameplay. While one can theoretically pour hundreds of hours into this massive digital playground of blocks, there will inevitably be those seeking similar content. What are some of the best games like Minecra

The big semi-mystery of Minecraft Dungeons, though, is what this has to do with Minecraft. It's a fun, light action-RPG, sure, and the world needs more games parents can play with their kids, but Minecraft is a skin draped over the action rather than having any real effect on the game's design. Everything looks right but that's as far as it goes. Not a single block in the game is breakable and there's nothing to build. This could just as easily have been My First Diablo as anything else, and the Minecraft license ends up feeling like a check box filled in on the marketing list.

Even better, indie games can afford to lose. They are often low cost, low maintenance, high concept works that don't rely on reaching a certain figure to be considered viable, and as such they can throw caution to the wind and take some big risks while still making a profit off of even the most modest sales. That means they can also afford to remain loyal to a system like an undertaker with a debt to the don, as while they might want the money that can come with being a multi-platform release, what they need is the backing and spiritual support of a major company like Sony, Microsoft, or Nintendo to get their games out there. A backing that is no longer lip service and is becoming very, very real.

From everything that we've seen and heard so far, it looks like gaming companies are doing just the same, as an arms race to acquire as many indie games as possible is about to get very heated. Just like there is still some studio executive who is kicking himself for missing out on The Blair Witch Project's profits, no gaming company wants to be the one who turned down the chance to have the next Minecraft solely on their system. Perhaps more than ever, the power in games belongs to the individual artists.

The other type of item is accessory and each one grants a different skill. The feather, for example, does a quick roll that stuns an enemy, while the soul cube lets out a powerful arcane jet of energy blasting through everything in its path. A bundle of wheat summons an attack-llama, there are healing pendants, berzerk mushrooms, magic shields and plenty more to turn up. These let you create a personalized loadout of three skills, defining character class by what you choose to carry. The more powerful accessories are powered by souls, which are released and automatically gathered as you take out monsters, but it doesn't take many to fill the bar. The skills are there to be used rather than hoarded.

While fairly simplistic and crude mechanically, this romp does just enough to get players hooked. The core game is somewhat short at five or six hours, but Minecraft Dungeons keeps players coming back with a cool magic system, rewarding progression, and vast dungeons crawling with foes. It doesn't hurt that the sprawling DLC packs and tough Apocalypse mode add even more to the

The age of system mascots and Triple A exclusives may be a fading memory, but it's really no matter, because the one we are about to enter where innovative new ideas and bold risks are rewarded, encouraged, and prized above all may just be the most exciting time ever to be a gamer. All the hype on which system you should buy may be focused on what a system costs, or what it can and can't do in its multimedia capabilities, but trust me when I say that in the end, you'll be keeping an eye on who's got what indie titles all to themselves when deciding which console is right for you.

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